All Light, Everywhere

An exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens.

“Examines how cameras have, from their 19th century beginnings, always been a tool of data mining, an instrument of measurement, a framer of a separate, pixelated world… It’s an exploration that touches not just on policing and justice, but astronomy, politics, phrenology and race.” ~Jake Coyle, Associated Press

“Theo Anthony’s film is a playful, enraging, free-associative cine-essay that both expands and eats itself alive as it proceeds.” ~Chuck Bowen, Slant Magazine